Visit to al-Jazeera KL Bureau



Al-Jazeera: Dearth of journalistic talent pool in Malaysia?


The Petronas Twin Towers is graced with the presence of an international news channel housed within its belly. However, a trip to the Kuala Lumpur bureau reveals two fundamental problems faced by local journalistic fraternity, writes MAX KOH


A tour around the Al-Jazeera Kuala Lumpur bureau on the 60th floor of Tower 2, Petronas Twin Towers by a group of communication students from Taylor’s College on April 6, 2009 revealed one startling fact: there were very few local broadcast journalists. 

As we later learned from the bureau’s Head of Technical Operations, Jayaganesh Sabapathy, there are two fundamental problems faced by the local journalistic fraternity that contributed to their absence. 

“There is a lack of journalistic and editorial instinct among local practitioners. We find our journalists are not widely exposed enough and comfortable working in their own little bubble,” he claims. 

“Journalism is more than reporting the facts. It’s about probing and asking hard questions.” 


Head of Operations Jayaganesh Sabapathy asserts that al-Jazeera's main thrust to report the truth.

Sabapathy says that the lack of proficient skills here had led the news channel to hire journalists from other parts of the world.

The second fundamental problem is the lack of technical skills as the majority of broadcasters in Asia are still reliant on old technologies and formats to deliver the news. Al Jazeera’s studio here boasts the latest technology (HD compatibility and digital servers) which most videographers and broadcast journalists can only dream about. 

While Sabapathy acknowledges that new technologies require high investment, he notes that the lack of investment by broadcasters here had restricted the growth of skills among local talent.


The control room where video feeds come in from all over the world.

Aided by 155Mbps network connection that links the four broadcast centres, the technical team worked at breakneck speed to record, edit, and broadcast news. There is little margin for error as news has to be broadcasted almost instantaneously as they receive it in the control room. It is indeed not a job for the faint-hearted.

The Kuala Lumpur bureau handles news from the Asian Pacific region. The other bureaus are located in London and Washington D.C. with the headquarters situated in Doha.


Al-Jazeera uses some of the most impressive technology in broadcasting. All videos are shot and broadcasted in HD (high-definition) format.

“This problem of inadequate technical skills extends to the whole of Asia apart from Japan, and it needs to be addressed if the local media wants to catch up with the world,” he adds.

We were sitting comfortably in the bureau’s boardroom with a bird-eye’s view of Kuala Lumpur and beyond, when Sabapathy relays the information to us. 

While the news was not altogether alarming, it is still depressing to hear. 

Prior to to the briefing, we were given a tour around the bureau which takes up the whole floor, housing two impressive studios (including the 101 East studio which is claustrophobic due to the less than ideal environment), different control rooms, and the sprawling newsroom that housed a number of broadcast journalists at work. 

It was fortunate that we arrived at a time when the bureau was shooting “live on air”. Anchors Veronica Pedrosa and Divya Gopalan were seen working in the studio, as we gawked at the impressive equipment and quality of professionalism.

It was almost surreal to see the live person talking in front, and then looking at the screen as millions of viewers are watching at the same time. 

One thing that struck me was the pin-drop silence in the newsroom as all the staff were doing their work quietly with their headphones on. There were no idle chatter and is a sharp contrast to the noisy newsroom I am familiar with.


The breadth of the newsroom and main studio where all the broadcast journalists work to bring us the latest news. (Pic by Max Koh)

It was also amazing to note that the bureau boasts of only a hundred staff to run such an operation. There were less people that day as most of the broadcast journalists were out in the field, notes Sabapathy.

Most of the staff appears to be expatriates but the sign of some local staff (yes, we heard some of them conversing in Malay) was encouraging indeed. 

The visit turned also turned out to be an eye-opening experience for several reasons. 

For one, the international news agency was in fact invited by Pak Lah to open its Asia Pacific bureau here. 

Yep, our former Prime Minister was able to reel in the news channel with his bait of a nice, swanky pad on the Twin Towers, and a promise to not interfere in its operations and editorial policies.

Although the place is less than ideal for a broadcast centre per se (the ceilings are too low for proper lighting in a studio), Sabapathy is happy to note that the government has not interfered in their operations.


The 101 East studio where interviews with many important figures are regularly held. 

This lack of restrictions sounds good until one realises the double standard that exists as various legislations still bound and muzzle the vocal power of local media. Why the double standards, Najib? But I digress.

Al-Jazeera English first began operations three years ago and has since become a reckoning force of broadcast journalism in the world. It has since given familiar big players such as CNN and BBC News, a run for its money with its “unbiased” news and a strict adherence to “report the truth.” 

It currently has a viewership of 170 million people worldwide. 

The news channel was set up with a US$150 million grant from the Emir of Qatar, as an initiative to educate and inform the world, and provide an alternative to the existing news flow from West to East. 

Al-Jazeera’s bid to change the traditional news flow syntax is reflected in its various slogans: “This side, the other side”, and “If it's newsworthy, it gets on air, whether it's Bush or Bin Laden”.

Sabapathy claims that Al Jazeera English is able to give coverage and new perspective to events, otherwise sidelined by the Western-controlled media. 

“Al-Jazeera was set up to dispel the perception of a world divide between East and the West,” says Sabapathy. 

“There is an increasing demand for news from Asia. The market here is very strong as Asia is seen as climbing up the economic ladder while the West is saturated with opportunities.” 

The news channel also prides itself as a truly global news network, in comparison to the American-centric coverage by other news channels.

“The media in United States are very insular, partly due to the many local issues happening there, but it is still very sad that some people still think that the world revolves around their country,” adds Sabapathy. 

“Do you know that a very small percentage of Americans own passports and don’t really know much about other countries? We are happy that Al-Jazeera is able to open up their minds on their views about the world outside American.

“We believe any news is newsworthy, no matter where they come from.”

Just as its name signifies (al-Jazeera means island in Arabic), the organisation is an island that stands out in a sea of mediocre journalism. 

The Kuala Lumpur bureau is ready to accept interns (but don’t expect any easy work, adds Sabapathy), but the experience procured is indefinitely valuable. 

Requirements are high as it is an international organisation that demands the cream of the crop, not only from Malaysia, but also around the world. 

But who knows, maybe we’ll see the next Riz Khan from Malaysia.

All pics courtesy of The Plogger otherwise stated.

A Modern Mahsuri

First published in Sunday People, New Sunday Times
19 April 2009

A Modern Mahsuri



Actress Vanidah Imran puts a modern twist to the role of Mahsuri in the latest musical reinterpretation of the tragic tale, writes MAX KOH

I remember hearing the tragic story of Mahsuri when just a child. I was on a boat heading for Pulau Langkawi when I was told how the heroine was wrongly accused of adultery and was executed by stabbing.

As white blood flowed from her wounds signifying her innocence, she laid down a seven-generation curse on the inhabitants of Langkawi.

It is no wonder that the story commands such an attention. And, it gets a new lease of life in Fauziah Nawi’s Teater Mahsuri to be staged at the Istana Budaya soon.

Screen siren Vanidah Imran will take on the titular role, working alongside singer Azharudin (Arja) Ramli (Akademi Fantasia 4), thespian Azman Hasan, and veteran actress Azizah Mahzan.


Some of the female performers in Mahsuri

“It is a great privilege to play the character as I have always been fascinated with Mahsuri’s story,” says Vanidah.

“I want to bring a new quality to the role that modern audiences can easily relate to.”

In preparing for her role, Vanidah admitted that she did not watch any of the previous film versions, as she did not want to be influenced by their portrayals.

“I want to express a different take on the role, and I completely trust the direction of Fauziah to bring out the character in me,” adds Vanidah who was last seen onstage in Muzikal Putra.

“But I’ll probably watch the film versions after I’m done,” she adds with a lovely laugh.

Vanidah describes her role as a regular kampung girl who is trapped in a situation where she is accused by her jealous mother-in-law of adultery.

This happens when her husband, Wan Darus, sets off to war and a handsome peddlar, Deramang, comes to visit Mahsuri and her parents.


Rehearsals are fun

The green-eyed mother-in-law accuses Mahsuri of adultery when she gives birth to Darus’ son, causing both Mahsuri and Deramang to be sentenced to death.

“The musical allows me to channel Mahsuri more as a regular person (and less of a mythical figure),” says Vanidah.

The musical features a number of songs composed by Rahimidin Zahari, and include duets with Arja and Azman.

This is a new experience for Vanidah as she will be singing “live” for the first time in a staged musical.

“I’m slightly nervous. Previously, I had my vocals recorded in the studio first. These were then played during the show.”

For this, Vanidah says, she has to ensure she eats right to take care of her vocals. But she loves the challenge, including learning some silat moves, which she describes as a load of fun.

She also describes the cast as a good mix of new and old actors.



“This is something new for Arja who has no previous acting experience. On the other hand, you have veterans like Azizah (who plays Wan Endah) and Azman Hasan (Deramang). The mix is really great as we get to learn new things from each other.”

With many acting credits in films and television under her belt, she still feels most at home on stage.

“I’m really pushing myself and working harder for this play as I know that people’s expectations are quite high. The reason why I love theatre is that you are constantly exploring the character.

“It doesn’t matter if you have played the role for one night, you can always bring a new side to her the next time. And theatre demands you to be consistent throughout the whole play, something very different from acting in films and TV,” explains Vanidah who first debuted onstage in Megat Terawis in 1994.

Vanidah has acted in films such as Histeria and Akhirat. She will soon appear alongside Afdlin Shauki in Setem and Papadom coming out soon this year.

For now, Vanidah will mesmerise the audience as Malaysia’s most famous folklore heroine, Mahsuri.

• Catch Teater Mahsuri at 8.30pm from April 24-30 at Panggung Sari Istana Budaya. Tickets: RM30, RM50, RM70, and RM100. Call 03-41498600 or 03-40265558 or visit www. istanabudaya.gov.my.

2009 Movies: The year of mutants, G.I. Joes, Trekkies and Autobots (again!)

First published in BubbleeBiz.com.my, Issue 2



2009 appears to be an exciting year for cinema-goers. There are plenty to please fans; comic books adaptations, superheroes offerings, novel adaptations, horror movies, and big giant robots to keep you entertained all year round. I don’t know about you, but I’m pretty stoked up for what Hollywood has to offer. Ahem, so let me offer you a preview of my top-pick of the year.



While the fans can cry foul for the postponement, I am sure all is forgiven when the boy wizard returns to battle He-Who-Must-Not-Be-Named in Harry Potter and the Half-Blood Prince. David Yates reprises his directing role in this one where we see dear Potter fall in love with Ginny Weasley and uncovers the Dark Lord’s dark past. Oh, the film will also be released in IMAX 3D which means that you get to see Harry with all his pubescent glory unfold on the big screen. Everyone now: Potter-mania!

Another novel adaptation sure to attract attention is Dan Brown’s Angels & Demons. Ewan McGregor joins Tom Hanks’ Robert Langdon in a chase around Vatican City in search of antimatter and to uncover an attack by secret society Illuminati. Let’s hope there are more action and less talk this time unlike the dreadfully monotonous Da Vinci Code.



Neil Gailman’s book also gets the movie treatment with the 3D stop motion animation Coraline. Child star Dakota Fanning lends her voice as the titular character who discovers a secret door that leads her to an alternate universe. The animation looks lush in this one as it promises a visual fest at the cinemas.

For those who are hankering for some explosive action movies will be pleased to know that Terminator Salvation is here. No, Governor Arnie is not back this time but Christian Bale (The Dark Knight) will play the adult John Connor. Set in post-apocalyptic 2018, John Connor leads the human resistance against Skynet and its army of shiny Terminators. Hope this one will be good or it will be ‘Hasta La Vista baby’ for the series!

Director J.J. Abrams (X-men, Cloverfield) takes us to the final frontier with the highly-anticipated Star Trek which will see the original USS Enterprise crew led by Captain Kirk return to the big screen. This is set to be interesting (yes, even for non-Trekkies) as it boasts an interesting cast of Chris Pine as James Kirk, Zachary Quinto (who plays the infamous Sylar in Heroes) as Mr.Spock, John Cho (of Harold & Kumar fame) as Sulu, and Simon Pegg as Scotty (hehe).



Star Wars fans will just have to contend with Fanboys, (heaven forbid there be Episode 7!) a comedy about a group of friends who decided to steal an early print of Star Wars Episode 1: The Phantom Menace film from the Skywalker Ranch. Well, apparently the film is George Lucas-approved so fans will be really pleased.

Another film that has been drawing attention since last year is the comic adaptation of the same name, Watchmen. The superhero feature film is based on one of the most critically-acclaimed (some herald it as the best comic book EVER!) in the history of comics book universe. Set in alternate 1985, the film follows a group of vigilante superheroes at the height of the tension between the United States and Soviet Union. The film is directed by Zack Snyder (300) and from the looks of the trailer; it’s going to be uber-cool!

Another film to please comic book fans is X-men Origins: Wolverine. Australian stud Hugh Jackman reprises his role as the cigar-smoking, super-healing, adamantium-laced mutant. The film traces the origins of Wolverine through the Weapon X program, his relationship with his arch-nemesis Sabretooth and how he got his adamantium. Other characters include Deadpool, Gambit, William Stryker, and The Blob is set to appear in the film. Awesome, bub!

Autobots will be rolling out in the cinemas again in the much-anticipated sequel Transformers: Revenge of the Fallen. Boys will have much to drool at the sight of Mikaela (Megan Fox) who is now girlfriend to the lucky Sam (Shia LaBeouf), and the many new robots hitting the screen including fan-favourite Soundwave (whee!) It’s definitely more than meets the eye as Megatron returns and the battle is taken to next level.

Kids growing up in the 1980s have more to rejoice as we will also see the first live-action adaptation of G.I. Joe: Rise of Cobra. Cast includes Dennis Quaid as General Hawk, Channing Tatum as Duke Hauser and Sienna Miller as The Baroness. And who is the Cobra Commander? None other than 3rd Rock from the Sun’s Joseph Gordon-Lewitt! Let’s hope this one doesn’t suck.

If you’re looking for some family fun, look no further than Ice Age 3: Dawn of the Dinosaurs where after surviving the Ice Age, the bubbly bunch will now face off the treacherous Tyrannosaurus Rex.

Pixar Animations, who could do no wrong, is offering UP this year which appears to be the next masterpiece after last year’s Wall-E. It tells of a 78 year old man who travels the world by airlifting his house with balloons in order to fulfill his late wife’s dream of seeing the mountains. He is joined by an eight year old who becomes his friend through the journey to see new place and meet new friends. As in the fashion of Pixar, UP is set to charm the audience. Check out the trailer on Youtube already!

Horror fans will have be pleased as Benecio Del Toro becomes The Wolf Man, Naomi Watts gets spooked in Hitchcock’s The Birds, and Jason Voor returns to legendary Crystal Lake in Friday the 13th. Sure, they are all remakes but if it is guaranteed to spook, why not? Oh, and Miley Cyrus returns as Hannah Montana (spooky!). And at the end of the year, romantic vampire Edward Cullen is set to charm theatre-goers again in the second installment of the Twilight series, New Moon. Yeah, I think I just heard some girls cooing in the background.