The Voice Triumphs (Sunday People)

First published in New Sunday Times
28th December 2008


The Voice triumphs
MAX KOH



There’s nothing simple about Russell Watson’s rise to fame. Undaunted by his battles with two devastating illnesses, the English tenor shares his story with MAX KOH




HEARING Russell Watson’s story, one may easily surmise it as a typical rags-to-riches tale. The English tenor whose nickname is “The Voice”, was a humble factory worker in Salford who beat 400 contenders to win a local radio talent competition.

He then pursued his dream of becoming a singer but not before toiling as a musical apprentice at the local working men’s clubs for years.

His big break came when he was invited to sing at Old Trafford before the 1999 Manchester United’s Premiership winning match. He received a standing ovation for his performance of the World Cup theme, Nessum Dorma.

His prestigious audience included the President of United States, former British Prime Minister Tony Blair, the Yang DiPertuan Negara and the late Pope John Paul II.

At 42, Watson could not be more thankful for his life now. In 2003, he faced a career-threatening situation when doctor found a growth in his vocal chord.

He was lucky to recover with his voice intact but a few years later he was faced with a new threat. In 2006, Watson was diagnosed with tumour the size of two golf balls in his brain.

The next three years was a battle: “Battling with cancer for the past three years has been tough but it was a real awakening. It certainly made me appreciate life even more. It changed my priorities and made me appreciate relationships, friends and most importantly, my two daughters.”

While Watson successfully underwent a surgery to remove the growth, he could barely walk and the tumour affected his pituitary glands which controlled hormone levels. His mood swings went from ecstatic to suicidal.

However, he eventually recovered and released his fifth album, That’s Life, in March 2007.

“It was a very emotional time for me. When I listen to the title track, I can hear the meaning of the words. It certainly changed the way I sang the songs.”

However, disaster struck again. The cancer returned when he was recording his sixth studio album, Outside In in late 2007. An MRI scan showed that a regrowth of his brain tumour was bleeding into his brain.

Again, Watson recovered after another life-threatening operation.

He was recently in Kuala Lumpur after the release of his latest album, People Get Ready (Universal Music Malaysia), which sees him tackling Motown classics such as Me And Mrs Jones, Papa Was A Rolling Stone, Soul Man and House Of The Rising Sun.

“The previous two albums saw me spending half of the time in the hospital bed while recording. With this album, I am looking at a new chapter in my life and moving on from the turbulent years.

“There are two distinct sounds you can hear in the album. One is a slick sound with strings section which was recorded in Capitol Studios, Los Angeles. The other, which is a little more ‘roguish’, was recorded in London with the same backing band as Amy Winehouse’s. It sure is a nice contrast of both the angry and soulful man in the new album.”

The different musical styles do not elude his fans as he is known to sing from Italian arias to Irish folk tunes to rock numbers.

“It is not really a departure, although, perhaps it is time for me release a classical album.”

As a performer, Watson believes that the cancer has changed his perspective: “I definitely have a more matured performance now. You can really relate to the story and it reflects the life you have lived. Singing is, after all, more than just perfecting the techniques. It’s about how to channel your soul into it.”

Yo-Yo Ma and Friends: Songs of Joy & Peace

First published in New Sunday Times
28th December 2008


Music Review: Yo-Yo Ma and Friends: Songs of Joy & Peace (Sony Music)
MAX KOH



I ALMOST leapt with joy when I saw this album. Cellist Yo-Yo Ma has enlisted some of the most accomplished musicians today — including Edgar Meyer, Chris Botti, Alison Krauss, James Taylor, Chris Thile, Dave Brubeck and Diana Krall — for a holiday album focusing on joy and peace. How could I not be excited?

The songs may not be familiar at first glance, but they sure put you in the spirit with its heart-warming tunes and impeccable musicianship.

From the classical opener Dona Nobis Pacem, Yo-Yo Ma takes you on a wonderful sonic journey through different genres; Celtic (with fiddler Natalie MacMaster on A Christmas Jig), jazz (with Diana Krall on You Couldn’t Be Cuter and Chris Botti on My Favourite Things), bluegrass (with Alison Krauss on The Wexford Carol), Latin (with guitarists Sergio Assad and Odair Assad on Vassourinhas) and Eastern (with the Silk Road Ensemble for Kuai Le).

However, the songs are still tied by a common theme which makes the album a thoroughly enjoyable listening affair as it sheds light on other holidays around the world — Kwanzaa, Hanukkah, and so on.

Personal favourites include Yo-Yo Ma with Dave Brubeck on the jazzed-up Joy To The World and the variation of Dona Nobis Pacem with bassist Edgar Meyer and mandolin player Christ Thile.

Songs of Joy & Peace offers lovely compositions. At RM25.90, it’s a great buy.

English Mad (Sunday People)

First published in New Sunday Times
21 December 2008


English-Mad

Children at the ‘Crazy English’ boot camp


HOW obsessed can you get with learning a new language? Would you go around talking to every foreign tourist you meet on the street? How about attending a ‘Crazy English’ boot camp where thousands yell out English lessons at the same time? 

As crazy as it sounds, these are some of the things you will see in Mad About English, the latest documentary by award-winning filmmaker Lian Pek. 

The former CNN correspondent takes the viewers on an enlightening journey as she interviews various characters in China in their quest to master the English language, once considered the forbidden tongue of the “foreign devils”.

They changed their mind when they won the bid to host the Olympic Games for 2008.

You’ll meet, among other people, a police officer who speaks with an uncanny New York Bronx accent (“Forget it, man. Put the gun down!”) 

“I was filming in China at one point when I realised that there was a big interest in learning the English language,” says the Singaporean filmmaker whose previous documentaries include Sayonara Changi and Born Again Buddhists. 

Her quest led to James Yang, a 74-year-old who had formed two English clubs where old folks like him learn English together. 

On the national linguistic fervour: “I guess before the Olympics, it dawned on the Chinese that there would be half a million people who would descend onto their country. They were hungry to do business and to trade with the foreigners.”

Mad About English was filmed in China in places like Beijing, Guangzhou and Yunan.

It premieres tonight on Discovery Channel (Astro 551) at 10pm.

Top of her game (Sunday People)

First published in Sunday People, New Sunday Times
14 December 2008


Top of Her Game

MAX KOH was enthralled by theatre heavyweight Faridah Merican’s performance in Bottom Top.


Mark and Faridah in Bottom Top.

THE name, Faridah Merican, is synonymous with local theatre. Referred by some as the First Lady of Malaysian Theatre, her contribution to the industry is immeasurable.

For 50 years, she has dabbled in the theatre scene by acting, directing and producing works. She and husband Joe Hasham founded The Actors Studio and are still the power couple in the local theatre scene.

However, it has been some time since Faridah charmed the crowd onstage.

So, hearing of her return to the limelight in Bottom Top, a play written by Mark Beau de Silva and directed by Hasham, was surely a must-see event.

It came as no surprise that tickets for the show were quickly snatched up.

I was mesmerised by the quaint and detailed set which depicted the couple’s home. It was warm and indicative of the mother and son’s relationship in the play.

Faridah played 52-year-old Bertha who was about to remarry. The 90-minute play saw Bertha having a funny but poignant discussion with her gay son, Melvin, as they prepared the guest list for the wedding.

When Bertha tried to get Melvin to invite his “special friend” to the wedding, he educated her on the social construct of his world.

Dressed in sexual innuendos and delightful wordplay, the observations of his world where mates were judged to be “bottom” or “top” was unravelled gracefully.

The subject could have come across as crude if not for Mark Beau’s script and the chemistry between the playwright and Faridah.

Watching Faridah for the first time, I was enthralled.

That was not to say that Mark Beau was not incredible himself.

Both actors imbued the characters with endearing presence, breathing life into them, making the audience feel like they were not merely eavesdropping but are part of the conversation.

There were laugh-out-loud moments in the play including a part where the disco lights were lowered, and Bertha delighted the audience with a bit of booty-shaking.

However, the play turned solemn at times as we pondered with the characters about relationships, social roles and love.

Bottom Top was a delightful comedy with acute contemplations on matters of the heart.

Faridah’s return to the stage was nothing short of breathtaking and certainly whetted my appetite for more of her stage skills.

What Drives Gyorgy the Prodigy

First published in Sunday People, New Sunday Times
7th December 2008




(click on pic for better view)